Cochno Stones: Archaeology and Bouldering

High above the residential northern shores of the Clyde is a strip of sandstone geology outcropping all the way to Craigmaddie Muir in the east. It lies hidden under a mossy understorey mostly, and varies in consistency and quality, but was once the attention of neolithic archaeologists, until they had to bury what is one of Scotland's greatest rock-art sites.The 'Cochno Stone' was uncovered by the Rev James Harvey in 1887 on open land near what is now the Faifley housing estate. It is covered with dozens of cup and ring marks, grooved spirals, along with a ringed cross and a pair of four-toed feet. It was briefly a chalked-in tourist attraction until it was buried to prevent vandalism in 1964.

Rock-art these days is a kinaesthetic thing, recorded as bouldering on photo-video networks, rather than pecked out on rock plinths. I've always like the connection between the vibrant, fluid circles and lines inscribed on the rock and the modern tracery of bouldering; there is a long connection of being in the same place, despite the different physicalities, changed rituals and contexts. Bouldering is a ritual of uncovering climbing movement, moving on in stations to the next problem, a kind of sporting religion. Every climber knows the call, the Sunday bells of unclimbed rocks...

The Cochno Stones, as I call them, are nearby crags and blocs at Auchnacraig car-park which have seen the light after a rhododendron cull. Under their mossy garb are various gritstone-like problems complete with embedded river pebbles from an ancient flood. Drying out nicely and desperate for traffic, they sit at the entrance to Auchnacraig House by the car-park for the Faifley walks. Take a brush and go make some modern rock-art!

Smithless Wall 6a

Cochno Prow 6b

Punjab Buffet 7a+

Beinn Dòrain

Viaduct and Beinn Dorain Once you cross the bealach under Beinn Odhar north of Tyndrum, the shapely peak of Beinn Dòrain is a visual fanfare to the Highlands. The mountain and its environs are richly detailed in the poet Duncan Ban MacIntyre’s poem Moladh Beinn Dòbhrain (‘In Praise of Beinn Dòrain’). [i] Its symmetrical convexity, deeply gullied flanks like pencil sketch-marks, and stern domed summit, make this a moment to instinctively reach for the camera. It is a steep but invigorating mountain to walk, which is more leisurely explored from its eastern corries, though the traditional ascent from Bridge of Orchy, up to the toothed ‘Am Fiachlach’ ridge quickly brings fine views from the heart of the Central Highlands, encompassing Cruachan in the west to Lawers in the east and the Mamores to the north. If you were set the task to name the features and character of this mountain, before a Gaelic toponymy, you may have come up with a similar voc...

Scotland's Iconic Mountains #Broad Law

BROAD LAW The rolling hills east of the modern motorway of the M74 hold much more character and history than they appear from the west, where they are now flanked by forestries of spruce and wind-farms. In medieval times this was a Scottish royal hunting ground – the ‘Ettrick Forest’. Further east towards the Tweed valley, there are echoes of a deeper Scottish history in the border towns of Hawick, Selkirk, Galashiels, Peebles and Kelso, all on the banks of the historic River Tweed and famous for their medieval forts and abbeys. Looking west from Broad Law to the monoculture forestry and wind-farms of 21st C Scotland This range of hills, along with the northern flanks of the Cheviot hills, marks the geographical transition to the once-contested border with Northumberland, with its high pass over Carter Bar on the A68. The more useful sense of boundaries are suggested not by the roads but by the watersheds: to the north the waters drain into the River Cly...

The Metadata of Being Human

Shamanistic zoomorphs, lithic graffiti, hallucinogenic tableaux, territory markings, knife-sharpeners … rock art – l'art rupestre – is so far beyond our traditional 'linguistic' history, it does not have an interpretative alphabet or a single line of confirmed meaning. There are many interpretations of the 'gravures' (carvings) and 'abris ornés' (decorated caves) in the hidden bivouacs throughout the forest of Fontainebleau. The sandstone marks easily under the nib of a hard flint from the deeper calcareous geology and this soft stone canvas has allowed our European ancestors to carve the stylised and modernistic strokes we might note as remarkable in a Picasso painting. Most of the carvings involve complex hash-marks and grids, overlaying each other, occasionally with mandala-like boxes. Sometimes there have been carved astonishingly beautiful anthropomorphs, (stylised human-like figures), or zoomorphs, (deities or humans manifesting in animal form) or argu...

Stone Country – Landscapes and Lifescapes

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