Skip to main content

Bealach Feith Nan Laogh


 


First of all, having a couple of 'refreshing pints' in the Strontian Inn was a bad idea . . . the hottest day of the year at the fag-end of July, the tarmac bubbling, it seemed wise at the time. The Bealach Feith Nan Laogh could wait a bit. I checked the specs of the climb, which seemed less electrically-shocking at a pub picnic table in the sun: 2.6 km with an average gradient of 11.8% . . .  steep, but no killer, I reasoned. Something at the back of my head crawled and writhed, trying to fathom what higher gradient would average it to 11.8! I clipped into the bike and set off, my mind a fuzzy blank of summer bliss.



Turning north off the main road at Strontian towards innocuous-looking hills, the wooded first few kilometres are flat and surfaced with new rolling tarmac, I was in a pleasant dream of cycling paradise, spinning without a chain, listening to birdsong, still on the big ring. A small sign turned me left up a short wooded hill towards 'Pollochro 8m'. Not far really . . .  I knew the climb began shortly but the small ramps weren't difficult and I was still outstripping the chasing horse-flies until a sign above a lost hub-cap said 'RAMP' in big capitals on a red background. The road didn't seem that steep, I was still spinning off the beers, marveling at the rock-garden scenery. Things focused down to the width of my front tyre as I got out of the saddle at Belgrove House and dropped to the wee ring to turn some sharp corners through the old pines. No biggie.




Then the vista suddenly opened up and I looked uphill to a shocking sight. The strip of gravelly tarmac took off up a hill that seemed to be a painted grey vertical line on a green background, a Rothko painting on its side. Half way up the hill, a camper van and two chairs sat perched precariously on a rocky ledge of a layby, looking out over Loch Sunart and the punishing evening sun. I endured a mild gut panic, there was an audience, and the beer was making me feel suddenly queazy rather than refreshed. Oh well, down to the second-last gear, out of the saddle. I passed the run-off for the old lead mines, clunking up to the big  ring's last-chance-saloon, grinding at just above fall-off pace, trying not to go into the red. Jeez, this was steep. Just 50m or so to the camper-van, then I'd be okay, it flattened there, I said to myself.

The people in the deck-chairs watched me like an old curious tractor from the 60s, going to an agricultural fair. Not far off. I passed them and gasped a greeting, more like a plea for help. The horse-flies had found me, mocking my pace, so I spun a bit and went into the red, rounding a corner to a sudden and sickening rise in gradient to a hairpin. Jeez, that must be 25% I thought! I ground up it, heart racing to the max, sweat washing my eyes with battery acid. I rounded the corner and another rise of the same punched me in the gut and I unclipped, steeping a foot to the ground just to catch my breath. Hell! I wheezed for a minute, eyes full of tarmac, then turned and rolled down to a layby, reclipping, turned again tightly and ran at the beast this time, grinding out the switchbacks and trying not to spin in the melted tarmac and gravel. If I didn't dig a little deeper, I would end up a tarred and Ruskolined mess on the Bealach Feith nan Laogh.



The road finally straightened a little but continued to rise at a punishing gradient, bellying up through the rocks and whispering grass towards what looked like a mobile mast - perhaps the pass, a sign of the end to this punishment? It ended thus, hung over the handlebars beside an old gas storage tank, it was full, I was empty.

I've never burned off two beers quite as quickly in my life.

... the downhill ...

Popular posts from this blog

Filming in Morar

Pete Murray and myself travelled up to meet Dave MacLeod at his '8c' cave in Morar. This secretive and impressive venue took us a while to find, but was obvious once we did - a 50 degree walled quartzite cave with no moss or drips or lichen and a singular line of chalked holds disappearing into the triangular darkness - Dave's 8c project. I pulled on a few holds the first day and tried one or two moves, but the sheer brutality and power required was too much and we let Dave show us his rubric of moves and contortions that allow the cave to be climbed. The 'easiest' lines appear to be butch 7a's and the top level is close to Dave's idea of Nirvana - long power-plays and complex link-up sequences. We bagged some good film and a short interview about the place which will be forthcoming in a new short film from Pete Murray, to go along with a new collection of writing on bouldering from Stone Country.

Ben Lomond - a Gaelic palette

Loch Lomond, Wednesday 28th December 2016 Mist, water and silvery light: a very Gaelic palette in midwinter between the storms, which these days all have names - we've been through Barbara's tantrums and Conor's backlash, but today was one of those steamed-up car sort of days. Warmish air from the southwest is rolling about Loch Lomond and gathering a chill as it picks up speed towards the snow-patched summit, so I take the clockwise 'wind with my back' option, steeply up the Ptarmigan ridge from Rowardennan, hearing a chuckle in the mist which is either a red grouse or the eponymous bird. Each landmark on the map is a clue to the Gaelic landscape - Tom Fhithich I think may be the raven's beak-nosed boulder or crag half up towards the knoll of Ptarmigan, which just breaks the mist, and assumes the role of target summit for the meantime as the main peak is in cloud. The small hidden tarns are full of slushy grey ice and the 'yellow bealach' is a...

Echo Wall Review

This is an exceptional film about the bizarre relationship between mountains, humans and risk. No matter that it features probably the most serious high-end route on the planet, Dave and Claire MacLeod have created a unique vision of obsession, determination and stress. 'Echo Wall' captures all the emotional trauma of climbing at the limit in a situation where failure is unacceptable. As an independent team, Claire and Dave have obviously worked really hard to bring this film together and they succeed in showing some of the sacrifice and pain of climbing what is effectively E12 on the most inhospitable mountain in Britain. 'The Ben' is not always inhospitable and the film opens with some fine time-lapse images of clouds clearing and alpen-glow washing down the peppered eminence of The Comb high in Coire na Ciste. Some helicopter shots give us the right impression that the north face of this mountain is something truly alpine and alien to the lush land 4000 feet below....