Dumbarton Rock Closed for Cleaning 11-15th March

Just to let everyone know that Historic Scotland, who own the boulders and crag at Dumbarton Rock, have agreed to clean the boulders of graffiti, overseen by climbers so no holds are damaged. After excellent concern for our sporting heritage and good consultancy (thanks to Ian Lambie of Historic Scotland and Andrea Partridge at the MCOS!), I'll be attending the first day of cleaning on Monday 11th March.

I would like to ask climbers and boulderers to avoid climbing here in this period while the cleaning goes on, as for safety reasons parts of the crag and boulders will have to be cordoned off. I would ask all to respect the arrangements we've made on behalf of climbers, as much good work has gone on in the background to arrange the best form of cleaning and restoration. Unfortunately much of the 'historic' graffiti has vanished behind modern graffiti, so it's impossible to restore the lower 'layers' - it will all just have to come off.

This is a good opportunity (along with continuing local council development), to maintain good relations with Historic Scotland and improve Dumbarton as a visiting venue (or 'climbing park'). It is worth looking after our prime climbing heritage site in the Central Belt...

Beinn Dòrain

Viaduct and Beinn Dorain Once you cross the bealach under Beinn Odhar north of Tyndrum, the shapely peak of Beinn Dòrain is a visual fanfare to the Highlands. The mountain and its environs are richly detailed in the poet Duncan Ban MacIntyre’s poem Moladh Beinn Dòbhrain (‘In Praise of Beinn Dòrain’). [i] Its symmetrical convexity, deeply gullied flanks like pencil sketch-marks, and stern domed summit, make this a moment to instinctively reach for the camera. It is a steep but invigorating mountain to walk, which is more leisurely explored from its eastern corries, though the traditional ascent from Bridge of Orchy, up to the toothed ‘Am Fiachlach’ ridge quickly brings fine views from the heart of the Central Highlands, encompassing Cruachan in the west to Lawers in the east and the Mamores to the north. If you were set the task to name the features and character of this mountain, before a Gaelic toponymy, you may have come up with a similar voc...

The Metadata of Being Human

Shamanistic zoomorphs, lithic graffiti, hallucinogenic tableaux, territory markings, knife-sharpeners … rock art – l'art rupestre – is so far beyond our traditional 'linguistic' history, it does not have an interpretative alphabet or a single line of confirmed meaning. There are many interpretations of the 'gravures' (carvings) and 'abris ornés' (decorated caves) in the hidden bivouacs throughout the forest of Fontainebleau. The sandstone marks easily under the nib of a hard flint from the deeper calcareous geology and this soft stone canvas has allowed our European ancestors to carve the stylised and modernistic strokes we might note as remarkable in a Picasso painting. Most of the carvings involve complex hash-marks and grids, overlaying each other, occasionally with mandala-like boxes. Sometimes there have been carved astonishingly beautiful anthropomorphs, (stylised human-like figures), or zoomorphs, (deities or humans manifesting in animal form) or argu...

Scotland's Iconic Mountains #Broad Law

BROAD LAW The rolling hills east of the modern motorway of the M74 hold much more character and history than they appear from the west, where they are now flanked by forestries of spruce and wind-farms. In medieval times this was a Scottish royal hunting ground – the ‘Ettrick Forest’. Further east towards the Tweed valley, there are echoes of a deeper Scottish history in the border towns of Hawick, Selkirk, Galashiels, Peebles and Kelso, all on the banks of the historic River Tweed and famous for their medieval forts and abbeys. Looking west from Broad Law to the monoculture forestry and wind-farms of 21st C Scotland This range of hills, along with the northern flanks of the Cheviot hills, marks the geographical transition to the once-contested border with Northumberland, with its high pass over Carter Bar on the A68. The more useful sense of boundaries are suggested not by the roads but by the watersheds: to the north the waters drain into the River Cly...

Stone Country – Landscapes and Lifescapes

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