I'd always known there were big stones on Ben Donich - it's typical of Arrochar rock architecture with split schist crags and chasms and jumbles of scree giants in corries - but I'd never gone up for a proper scout. So, with the forecast promising sun in between hail and snow, I squelched up the speedy north east ridge to the summit in under an hour, then backed down the craggy east flank towards the Brack, stalking the boulder clusters, giving sheep the odd adrenaline-shock. Arrochar schist is not impressive in the wet of midwinter, its lichen coat soaking up slime and soaked heather-bunnets dripping down cracklines. Nevertheless, finding such a bloc as this bodes well for summer projects and those who like solitude and king lines topping out at 8m over, for a change, reasonable landings...
Shamanistic zoomorphs, lithic graffiti, hallucinogenic tableaux, territory markings, knife-sharpeners … rock art – l'art rupestre – is so far beyond our traditional 'linguistic' history, it does not have an interpretative alphabet or a single line of confirmed meaning. There are many interpretations of the 'gravures' (carvings) and 'abris ornés' (decorated caves) in the hidden bivouacs throughout the forest of Fontainebleau. The sandstone marks easily under the nib of a hard flint from the deeper calcareous geology and this soft stone canvas has allowed our European ancestors to carve the stylised and modernistic strokes we might note as remarkable in a Picasso painting. Most of the carvings involve complex hash-marks and grids, overlaying each other, occasionally with mandala-like boxes. Sometimes there have been carved astonishingly beautiful anthropomorphs, (stylised human-like figures), or zoomorphs, (deities or humans manifesting in animal form) or argu...