Long live such autumns: clear skies, frost-cold rock and an orange-filtered low sun. Finally the bouldering season seems to have kicked into gear... I've been projecting at Dumby before the sudden sunsets above Langbank on the other side of the Clyde, and enjoying the pseudo-grit of Craigmaddie higher up on the moors for a change of geology. It seems everyone else is burrowing into their projects and enjoying what free time can be stolen in the shortening days. A full afternoon at Dumby went by in stop-motion oblivion as the tide crept up to the sea boulder from a low tide... no better way to dissolve the stress of deadlines and office life.
Shamanistic zoomorphs, lithic graffiti, hallucinogenic tableaux, territory markings, knife-sharpeners … rock art – l'art rupestre – is so far beyond our traditional 'linguistic' history, it does not have an interpretative alphabet or a single line of confirmed meaning. There are many interpretations of the 'gravures' (carvings) and 'abris ornés' (decorated caves) in the hidden bivouacs throughout the forest of Fontainebleau. The sandstone marks easily under the nib of a hard flint from the deeper calcareous geology and this soft stone canvas has allowed our European ancestors to carve the stylised and modernistic strokes we might note as remarkable in a Picasso painting. Most of the carvings involve complex hash-marks and grids, overlaying each other, occasionally with mandala-like boxes. Sometimes there have been carved astonishingly beautiful anthropomorphs, (stylised human-like figures), or zoomorphs, (deities or humans manifesting in animal form) or argu...