'The Inchbae Intrusion'

Sounds like a bad thriller, jets screaming overhead, somewhere in Scotland, someone on the run across the heather, pursued by guns and dogs, hiding behind boulders...

Ian Taylor had seen them as well, glacial drift and erratics all over the place, in dumpy moraine hillocks and drumlins. Once or twice I almost ended up in Black Bridge craning my neck out the side-window. Then one day I stopped, put the wellies on and went to satisfy the rock-thirst again.

Situated between Garve and Ullapool, these boulders are mostly hidden from view, but a litter of small ones by 'Lubfearn' (the alder loop), under the choked throat of Altguish, were recently attended to by myself and Ian Taylor. Here's what Ian found as description for the area:

'originally a porphyritic granite with abundant orthoclase phenocrysts, but is now a coarse biotite-granite gneiss in which the phenocrysts are largely deformed to augen wrapped round by a steaked out matrix of quartz, biotite, potash felspar and plagioclase'

A code by the sounds of it! The rock is indeed a heady mixture of crystals and codes, teasing body positions and curious resolutions.

A circuit of about twenty good problems now exists, with more chapters to be written...

Beinn Dòrain

Viaduct and Beinn Dorain Once you cross the bealach under Beinn Odhar north of Tyndrum, the shapely peak of Beinn Dòrain is a visual fanfare to the Highlands. The mountain and its environs are richly detailed in the poet Duncan Ban MacIntyre’s poem Moladh Beinn Dòbhrain (‘In Praise of Beinn Dòrain’). [i] Its symmetrical convexity, deeply gullied flanks like pencil sketch-marks, and stern domed summit, make this a moment to instinctively reach for the camera. It is a steep but invigorating mountain to walk, which is more leisurely explored from its eastern corries, though the traditional ascent from Bridge of Orchy, up to the toothed ‘Am Fiachlach’ ridge quickly brings fine views from the heart of the Central Highlands, encompassing Cruachan in the west to Lawers in the east and the Mamores to the north. If you were set the task to name the features and character of this mountain, before a Gaelic toponymy, you may have come up with a similar voc...

Scotland's Iconic Mountains #Broad Law

BROAD LAW The rolling hills east of the modern motorway of the M74 hold much more character and history than they appear from the west, where they are now flanked by forestries of spruce and wind-farms. In medieval times this was a Scottish royal hunting ground – the ‘Ettrick Forest’. Further east towards the Tweed valley, there are echoes of a deeper Scottish history in the border towns of Hawick, Selkirk, Galashiels, Peebles and Kelso, all on the banks of the historic River Tweed and famous for their medieval forts and abbeys. Looking west from Broad Law to the monoculture forestry and wind-farms of 21st C Scotland This range of hills, along with the northern flanks of the Cheviot hills, marks the geographical transition to the once-contested border with Northumberland, with its high pass over Carter Bar on the A68. The more useful sense of boundaries are suggested not by the roads but by the watersheds: to the north the waters drain into the River Cly...

The Metadata of Being Human

Shamanistic zoomorphs, lithic graffiti, hallucinogenic tableaux, territory markings, knife-sharpeners … rock art – l'art rupestre – is so far beyond our traditional 'linguistic' history, it does not have an interpretative alphabet or a single line of confirmed meaning. There are many interpretations of the 'gravures' (carvings) and 'abris ornés' (decorated caves) in the hidden bivouacs throughout the forest of Fontainebleau. The sandstone marks easily under the nib of a hard flint from the deeper calcareous geology and this soft stone canvas has allowed our European ancestors to carve the stylised and modernistic strokes we might note as remarkable in a Picasso painting. Most of the carvings involve complex hash-marks and grids, overlaying each other, occasionally with mandala-like boxes. Sometimes there have been carved astonishingly beautiful anthropomorphs, (stylised human-like figures), or zoomorphs, (deities or humans manifesting in animal form) or argu...

Stone Country – Landscapes and Lifescapes

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